Marguerite Duras’s most celebrated work is a mesmerizing, almost incantatory experience with few stylistic precedents in the history of cinema. Within the insular walls of a lavish, decaying embassy in 1930s India, the French ambassador’s wife (Delphine Seyrig) staves off ennui through affairs with multiple men—with the overpowering torpor broken only by a startling eruption of madness. Setting her evocatively decadent visuals to a desynchronized chorus of disembodied voices that comment on and counterpoint the action, Duras creates a haunted-house movie unlike any other.

Marguerite Duras reunited with India Song collaborators Delphine Seyrig and composer Carlos d’Alessio for this hypnotically unsettling journey into one woman’s existential emptiness. Ensconced in a sprawling rental villa, the world-weary Vera Baxter (Claudine Gabay) receives visits from two women, including a mysterious stranger (Seyrig) to whom she recounts a shocking story about her marriage, the way she lives, and the reasons for her malaise. Setting her languid images to d’Alessio’s incongruously breezy, endlessly looping score, Duras fashions a quietly shattering portrait of marriage as a kind of prison.