Abbas Kiarostami has spent his incomparable career exploring the spaces that separate illusion from reality and the simulated from the authentic. At first, his extraordinary and sly Like Someone in Love, which finds the Iranian director in Tokyo, may appear to be among his most straightforward films. Yet with this simple story of the growing bond between a young student and part-time call girl and a grandfatherly client, Kiarostami has constructed an enigmatic but crystalline investigation of affection and desire as complex as his masterful Close-up and Certified Copy in its engagement with the workings of the mercurial human heart.